I can't believe it, but I've worked on two different screenwriting assignments this year, all while taking care of my little toddler, who just turned two in May. It hasn't been exactly easy, but it's been incredibly inspiring. There's nothing quite like working on a screenplay with a deadline to shift one's motivation into high gear. ;)
I recently shared that I'd overhauled my character profile template in the course of working on this latest assignment. Now I want to share some of the other things I learned through the process of working on this gig. This was a rewrite project, so it was almost like being hired as a script doctor, but since I'm also sharing writing credit for the project it's a little different than being a true script doctor, which is often uncredited work. The project is called The Seventh, and it turned out to be incredibly fun to rewrite someone else's work (not at all like rewriting my own!).
Here are six unexpected takeaways I gained from working on this project:
Reverse-outlining pays off. Before I dove into the actual rewrite, I reverse outlined the entire script. I exported it from Final Draft into Scrivener and then into Numbers (the Mac version of Excel) so I could have a spreadsheet I could easily study all in one place. I like the Navigator in Final Draft and the outline view in Scrivener, but for this, I wanted something I could easily see in one place and control in ways that I wanted.
Once I had the scene headings from Final Draft imported into Numbers, I went through each scene and summarized what happened in a few short sentences. Then I made notes about issues I noticed as I worked through. I also numbered the scenes. The beauty of doing this work is that it highlighted story issues, pointed out plot holes, and helped me get clear on the natural story breaks and sequences, and how well they were working, or not. Since I like to work in mini-movies (approximately 15 minute sequences) it helped me to see how well the script was working with that pattern and showed me where I needed to tweak it.
What made this so fun was that it was like being a sleuth, digging in, finding what was working and what wasn't. Very satisfying!
Backstory matters. I knew this before. But now I KNOW it. Working on someone else's project gave me more courage to dig deep into the how's and why's of everything. I couldn't write it unless I understood it. With my own projects, I've been more cavalier about understanding where everyone comes from and why they're doing what they're doing, thinking I'd figure it out along the way (and of course I learned more about these characters even as I worked with them).
But there was something about delving into all the details and leaving no stone unturned when it came to even the slightest motivation or plot hole to get our story strong and straight. This is, of course, particularly important with a complex sci-fi world such as the one in The Seventh, but as I've watched and read other stories lately it's gotten crystal clear -- the characters exist before they come onto the scene in our stories. They have histories. Issues. Relationships. And all those come to bear on the decisions they make and the motivations they bring to the scenes they're in.
We went through several different iterations of the backstory, and the feeling of finally getting a lock on it was thrilling, particularly because we didn't give up on it until it truly worked.
Having a rewrite plan helps, but it's not set in stone. We went into the rewrite knowing we had a certain number of days to accomplish it (40 days). And we calculated approximately how many days I could spend rewriting each 15-page section of the script to hit our deadline. But as we went into it, we found ourselves spending more time on the backstory and world building than we'd anticipated. QUITE a bit more. Which meant that I had to compress my timeline.
The other unexpected variable was that the script got longer, due to a variety of factors. So my calculation of a number of pages per day didn't exactly match what I actually had to write. So again, I adapted.
A third monkey wrench was what one of the writers in my writing community calls a "black hole" section, where the whole thing just takes a lot longer than expected to sort out. Not all 15 page sections are created equal, after all!
Tracking progress helps keep the ship on course. Despite the shifts in the winds of rewriting, because I carefully tracked my progress, I was able to see where I was, and where I needed to end up. In the graphic below, you can see my revision plan in the upper table, essentially starting on June 3rd. We'd intended to start much earlier, but as I mentioned, the backstory and world building work ended up taking 14 days. In the lower table, you can see the number of pages I worked on each day or block of days.
This is one of those things I geek out about -- watching my progress build, seeing how I'm staying on track (or not) helps make it exciting and fun and keeps me from getting lost in the "I'll never make it" doldrums my inner critic likes to dish out. And I could easily tell my writing partner how close I was to being on schedule at any given point.
Having a great writing partner is huge. I was thrilled to work with my co-writer on the rewrite, the original author of this script. I did all the rewriting work, but we worked closely together throughout the process. It was a huge source of fun and delight for me to have someone to bounce ideas off, run problems by, and generally dig deep into the story together. My co-writer was particularly good at keeping his ego out of the way and working hard with me on making sure the story improved. It was inspiring and impressive. Plus it turns out it's just wicked fun to help make someone else's writing that much better.
Screenwriting every day for 40 days was empowering. Since having my second kiddo, I've been interspersing stretches of screenwriting with other writing (blogging, course writing, product writing, etc.) and while that's been easier for me to manage, it's been a little disorienting. I loved the feeling of ending each day feeling like I'd really USED my brain for my truest deepest calling -- writing fiction. That expression "die empty" felt very apropos. Each evening, as I went to bed, I felt complete in way I don't feel when I'm not writing fiction. It was amazing.
Interestingly, when I was first offered this writing gig, I turned it down, based on my level of busyness as a mom, as a writer of my own projects, and as an entrepreneur. But in the end, it was a delightful experience all around and one I'm truly grateful to have been asked to be involved in. I can't wait to see what happens with The Seventh as it continues to evolve!
He spoke to the deepest part of my heart and soul, where it comes to writing, to education, to believing in ourselves and in our children and in our capacity for greatness.
I loved this:
I was in the 7th grade, when Ms. Parker told me,
“Donovan, we can put your excess energy to good use!”
And she introduced me to the sound of my own voice.
She gave me a stage. A platform.
She told me that our stories are ladders That make it easier for us to touch the stars.
Write your stories.
Photo by Greg Rakozy, used under the creative commons license.
A new article on the ScriptMag blog about making the most of sci-fi, with screenwriting expert Scott Myers.
In my ongoing quest to make my sci-fi scripts the best they can possibly be — and help you do the same — I reached out to Scott Myers to get his take on the best way to break into the sci-fi market as well as his perspective on places where he commonly sees… [read more at ScriptMag]
As the proprietress of an online program designed to help writers build a daily writing habit, every once in a while someone says to me, "But Jenna, what if I don't want to write every day?"
My answer is, "That's okay."
If....
The reason we advocate daily or near daily writing in my writing community is that most of the time, the writers who come to us are flat out struggling to write -- at all. And it turns out that the more frequently you write, the easier it is to sustain the habit.
Some writers CAN write on a different schedule and it works perfectly well for them. That's completely fine. I have no objections. Because if you're someone who can write two to three times a week and keep that going over the long haul, that's great! Or if you like to go for months without writing and then have no problem cranking out a book without getting burnt out or frazzled, all the more sparkle bright ponies for you. Really.
But if you're someone who wants to write but isn't, or isn't living up to your desired level of productivity and completion, or keeps getting burnt out in binge-writing frenzies, or is wrestling with procrastination, burnout, perfectionism, or writer's paralysis, you might want to try our daily/near daily approach. It just makes it so much easier to break the patterns you're stuck in.
The thing is, a tremendous amount of paralysis that can build up for writers. It's all founded in fear -- fears of not writing well enough, of succeeding or failing, of public humiliation or ridicule, and more. All that fear builds up in our unconscious minds and sends us in an entirely OTHER direction than writing. But when we first break that pattern of writing-aversion and turn toward writing again with a small, doable step like writing for five to fifteen minutes, we can build new neural connections that reinforce writing as a positive thing in our lives. And if we do it again the next day, it makes it easier and easier to keep going. And once we build our writing up to habit levels, we start operating out of a whole new paradigm, one where taking a day off here or there doesn't throw us completely off track.
No matter what though, the bottom line is this: Do what works for you. There is no one right way to write. There's no one right answer to how to write. Different approaches work for different people. Find yours.
There's this idea floating around that the way to find time to write is to cram writing time into every square inch of your life. Just write while you're waiting for your dentist appointment! Just write while you're standing in line at the grocery store!
I don't think that's sound advice.
The thing is, we already lead crazy, busy lives. Most of us have plates filled to overflowing as it stands, and cramming writing into every tiny pocket of time feels like it will be the thing that finally breaks the dam.
Writing like a maniac looks like a recipe for burnout and stress to me, rather than a graceful fulfilling of one's true calling. I don't know where we got this idea that productivity and just doing more are the same thing. Many proponents of the just find 15-minutes method of writing seem to have bought into this idea.
Having said that, I do advocate writing in 15-minute (or smaller) blocks of time in the following circumstances:
When that's all the time you actually, truly have to write. Look, I'm a writer, a mom, and a business owner, I get it. There really is only so much time to go around. It's okay with me if you say, I have to write, this is what I have, so I'm going to make the most of it. But, and this is important: Ideally, you'll do it in a scheduled, planned part of your day, not as something you race to cram in during a stolen moment somewhere. I wrote a script in 15-minute increments of time, and I've got two writers in my writing community who recently finished projects in 15-minute chunks: one mom who wrote her first novel and the other a coach who wrote her parenting book. It's a perfectly valid way to write!
When you're building a writing habit.When you're first setting out to build a writing habit, it pays to start small. Most of us with big dreams to write have commensurately-sized fears that stop us in our tracks and have us come up with all kinds of excuses not to write. Writing in small increments of time helps us sneak past the fear, kick the excuses to the curb, and get our butts in our writing chairs. There's nothing that says you have STICK WITH 15-minute increments of writing time in the long term, it's perfectly fine to build up to more once you've increased your tolerance for writing (in other words, once the blue meanies stop screaming quite so loudly in your head). Having said that, again, see #1. If that's what you've got, work it, baby.
When you're re-building a writing habit. If you've fallen off the writing wagon, for whatever reason (travel, illness, loss, etc.), you can reboot yourself with a 15-minute writing sprint. If I ever find myself off track with my writing, I usually say something to myself like, "I can at least write for just 15 minutes." And then I set my timer, and I'm off. Note that I usually don't write past the 15-minute mark on a reboot day but just use that to get myself into motion again. I'll often write longer the next day and build back up from there. (The reason not to go past the goal is that you end on a high note and in a positive place for the next day.)
When you actually feel like writing while you're waiting for something. Rather than feeling like you "should" be writing at every moment, notice when you want to be writing. Lately, as a tired mom of a now 23-month-old toddler, sitting and staring at nothing while waiting in the doctor's office is a luxury I'm reluctant to give up for just about anything. But pre-baby #2, I happily wrote while hanging out waiting for appointments because I wanted to. In other words, do it if you want to, not because you "should."
Your writing is your biggest dream. Treat that dream with reverence.
Rather than squeezing writing into the interstices of your life, take a look at its importance to you and give it a proper place in your day. This might mean taking a good hard look at the way you're prioritizing your time and what you're choosing to do with it instead of writing, and it might mean getting creative about how you're scheduling yourself, but I'd much rather see you having moments to breathe AND moments to write.
