by Jenna | Dec 1, 2016 | Writing Articles
It's the holiday season, and the crunch is on! We're busy with everything. Shopping, holiday parties, family gatherings, end of year deadlines, kids off school, and more. That makes it a prime time of year for our writing habits slip by the wayside, but I'm here to help with seven easy ways you can sneak writing in, even in the midst of the chaos.
7 Easy Ways to Sneak In Writing Time Over the Holidays
When you're looking for easy ways to get more writing in, try these ideas:
- Write early. You've probably heard me talk about the virtues of early morning writing before. During the holidays, early morning writing will save you. You can write before your kids get up and your spouse leaves for work, even when the kids are off school for Winter Break. You can hide out in the guest bedroom at your aunt's house and write in bed -- no one will even know you are awake! You can write before you tackle other projects or head out shopping. Whatever else you have on your plate for the day, when you write first, your heart and spirit will be lighter, knowing you've met your most important commitment to yourself first.
- Set a special holiday daily target. When you're writing during a busy season like this one, you'll want to tweak your daily writing goals. Maybe you're someone who has oodles of time off over the holidays, and you can set higher goals, but if you're like the rest of us with day jobs and kids and a plethora of social commitments, now's the time to figure out your daily holiday writing targets. They're probably lurking somewhere between what I call your "rock bottom minimum" (the absolute minimum amount of writing you want to accomplish on a given day) and your optimal amount of writing during a busy time. Here's what I mean: Normally I aim to write for about 60 minutes a day, more when I'm stretching for a big goal. My rock bottom minimum is 15 minutes a day. So my holiday target is 30 minutes per day.
- Scan your day for potential pockets of writing time. When you get up in the morning, if you're not going to write first thing, mentally scan your timetable for the day to see if you can spot little pockets of writing time. Maybe you can go early to that dentist appointment and write in the waiting room. Or write a bit in the car on your mobile device while your spouse is driving to the holiday party. Or take a writing time-out at a café while you're out shopping for holiday gifts. While I'm not usually one for cramming writing into every available moment of my life, intentionally identifying and using one writing window in a day can be a beautiful way to make space for writing.
- Streamline your other activities. My holiday life has gotten so much easier since I do most of my shopping online these days. I shop in batches on Amazon, which saves me an enormous amount of emotional wear and tear and saves my energy for writing. I also carefully balance the number of events we attend over the holidays and try to keep the number manageable (I have a threshold of one social gathering per weekend if I can keep it that way and I make exceptions only with careful forethought). When you purposefully design for sanity, it's much easier to then make time to write, also.
- Write light. There's a tremendous advantage to writing regularly, which is quite simply that it makes it easier to keep going... and that's what gets us to the finish line with our books and scripts. But sometimes, keeping your head in a script or novel is just too hard when there's so much crazy going on. In that case, you may want to try lighter writing -- journaling, morning pages, brainstorming, writing outside your project (freewriting within the story but outside the primary document for it). This way, you're keeping the words flowing onto the page and holding the space you have in your life for writing, but also making it easier on yourself.
- Write late. If you aim to write in the morning but don't, or just don't want to, considering writing in the evening just before bed. You can even sneak off to bed early when you're staying with your relatives, or go to that office party early and duck out well before last call to make some time for writing. Think of it as your own secret time, just for you. You feed your soul's calling when you write, and there couldn't be a better gift to give yourself for the holidays.
- Have fun! The holidays can be delightful, but they can also be quite stressful. Emotions get stirred up; there's more pressure to perform and feel a certain way, look a certain way, etc. So giving yourself a pet project might just be the ticket for some extra writing inspiration and energy, or bringing the spirit of play to your work can help you make a point to enjoy it. You can even make a game out of creating writing time for yourself. Make it feel like you are getting away with something, and you will be. :)
Here's Why It's Worth It To Sneak In the Writing Time Now
When you write now, you'll position yourself well to take advantage of that big burst of writing energy you're going to have come January 1st. You know it's coming, right? Remember, a body in motion has a tendency to stay in motion, so writing now helps you write later. (Whereas not writing now means it's harder to write later -- the body at rest tends to stay at rest... It's all about inertia, baby!)
The good news is that it doesn't have to be hard to write even during this busy season. Use these tips to make writing easy through the holidays so you can jump in with both feet when January 1st rolls around.
Got other holiday writing tips? I'd love to hear about them in the comments!
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by Jenna | Nov 10, 2016 | Writing Articles
It's been an intense week.
Regardless of your political affiliation, here in the U.S. and worldwide we've been through the wringer and come out changed. We're all going through a lot right now. There's much to process, contemplate, and recover from.
In the midst of all this, the important thing is to remember who we are. That we each have a purpose to fulfill.
A calling.
If you're hanging out with me in this little corner of the Universe, you're called to write. To create with words, pen on page, fingers on keyboard.
A tremendous gift, writing is.
It has the power to open minds and hearts.
To express deeper truths.
To shine lights into the recesses of our humanity and unearth hidden gems and wounds.
To heal, inspire, strengthen, catalyze, and change.
To heal us individually as writers.
And even though it may be tempting to turn away from your writing right now, please don't.
If not for others, for yourself. Because writing will remind you who you are, and what you were put here to do.
When my mother in law died in 2015, I clung to my writing as if it would save my life. It was my constant in a sea of pain and turmoil.
If you find yourself in that place now, as I do, let writing be the raft that carries you to shore.
I know that not everyone is hurting right now. It is likely that some among us are happy with this week's outcomes. And that is your right.
But let us keep the focus on the larger vision. Our writing. Our truths. The messages we each have to share with the world. Because that's why we're here.
Keep writing.
With love,
by Jenna | Oct 12, 2016 | Writing Articles
In a recent post I wrote about what "counts" as writing. I promised to share some of the story development steps I take before I'm willing to begin writing actual new pages; hence this post. This is a work in progress for me; I'm constantly working to hone and improve my writing skills, so I'm sure it will continue to evolve as I evolve as a writer.
Here's what I currently like to have before starting to write, in approximate order:
- Goals, Motivation, and Conflict (GMC) for Main Characters: The goals, motivation, and conflict for each of my primary characters so I stay in touch with what they're doing, why they're doing it, and what gets in their way over the course of the story. (This link will take you a more detailed article about GMC.)
- Character Profiles: I write character profiles for my primary and secondary characters detailing their personality traits, flaws, character arcs, and more. (This link takes you to the same place as the one above, where you can also download a free character profile template that includes GMC.)
- Logline: A twenty-five word summary of the story, including its best hook.
- Premise Line: A longer summary of the story, using Jeff Lyons's method for mapping the core structural story elements to a premise line template.
- Theme and Message: What's this story about? This is one of those things I'm usually guessing at when I first start —it often doesn't become clear until I've written one or more drafts, but I like to take a stab at it before I begin. More on this in the future.
- Internal and External Content Genres: I like to use Shawn Coyne's The Story Grid* to get clear on the external and internal content genres of the story to help me make sure I'm staying in touch with the theme and intent of the story I'm aiming to tell.
- Key Story Values: I also like Shawn's approach to identifying the key values at play in the story (as indicated by the content genres) and make sure (to the extent of my current abilities!) that I also understand their gradations along the spectrum from positive to opposite/contrary to negative/contradictory to the negation of the negation that I'll be exploring over the course of the story.
- Primary Plot Points: I detail my primary plot points, using a cobbled-together version of the many variations I've learned over the years. These tie in well with the mini-movie method I use (developed by Chris Soth) and help break a story down into smaller chunks.
- Opening
- Inciting Incident
- End of Act I, Lock In, Plot Point #1
- First Pinch Point
- Midpoint
- Second Pinch Point
- End of Act II, Cave Moment/All Is Lost, Plot Point #2
- Crisis
- Climax
- Resolution
- Plot Backstory: I like to write out a summary in prose of what's happened leading up to the story. Who was doing what before we enter this story world's timeline?
- Scene by Scene Outline: I also like to have a scene by scene outline before I start writing scenes. I identify their location (with a slugline, since I'm writing scripts), the essence of what happens in the scene, and several other elements. I use a scene template that I'll share with you at some point.
- Treatment/Synopsis (Optional): I may also write a treatment or synopsis for the story, knowing it will likely change as I write the actual story, just to give myself a little more guidance about what happens. Usually I'll do this before a scene outline.
- Query Letter (Optional): Sometimes I'll even take a stab at writing a query letter for the project to help me identify the hooks for the story and what to focus on building strongly.
- Timeline or other organizing structural tools (Optional, if the story demands it): If needed, I'll create a timeline for the project (particularly valuable for time travel stories!) or create other project specific organizational systems if the story requires it. This is one of those gut-level things for me.
Once I have all these pieces of the puzzle assembled, that's when I'll feel more confident about starting pages. Sure, some may change, but it gives me a road map and greatly streamlines the writing process for me. I'm also finding that I'm asking myself to stay longer and go deeper with each element, in order to feel more solid about it before diving in.
What do you like to have before you start writing pages, if anything? Or are you more of a pantser when it comes to writing pages? I'd love to hear about your approach in the comments.
* Affiliate link
by Jenna | Sep 15, 2016 | Writing Articles
In my Called to Write community, we primarily keep track of writing minutes, not word or page counts.
We do this because when we're plotting, outlining, revising, or editing, for instance, our word and page counts won't necessarily increase, but we are moving our books and screenplays closer to completion.
Pros and Cons of Focusing on Word Count
Many writers chastise themselves for not writing New Words when they're doing such work, and therefore undervalue the time they're putting in on development and revision, two critically important stages of a writing project.
Or they put the focus on writing New Words and increasing word counts and page counts ... but sometimes end up writing purposeless prose, simply to stay in action with writing. I know this can come up for writers during NaNoWriMo, where the concern is often keeping the writing going to meet one's daily word count.
On the up side, keeping words flowing is a powerful way to build a habit of writing. A big obstacle for writers is getting into the practice of getting words out and onto the page. Having a "keep writing and don't stop" mantra helps that flow get established.
On the downside, I know there are many writers who struggle with what they're left with at the end of a writing session (or a writing month, as in the case of NaNo). There are just that many more words to cull, manage, organize, and edit.
How to Approach Writing During Writing Sprints
What I recommend is using writing sprints (you can do your own or join us in my Called to Write community) for any kind of writing-centered work that moves your project forward. I still use a "keep working and don't stop" approach, but I don't put my attention on more words; I instead immerse myself in whatever stage of the project I'm working on that day. So if I'm in the outlining stage, I concentrate working on the outline for the full 60 minutes I've set aside to write, and I don't stop or do other things until my timer dings.
And yes, I write with a timer, which I highly recommend. It's a great way to jumpstart a writing session, and it really helps a writer keep their attention on the work, rather than slipping away to other things. This works particularly well when said writer is tracking and recording their writing minutes so they know every minute counts.
As an added boost of writing energy, participating in writing sprints with others super-charges the writing energy and help writers stay on track. You still have to come into the writing session or sprint with a clear intention, but the good news is that if you're writing every day or near daily and working on one main project at a time, that's pretty easy to do because you tend to stay clearer about what your next steps are. You can do writing sprints online or in person.
Two Caveats About What Counts As Writing Time
I have two caveats when it comes to what counts as writing time.
- Caveat #1: I recommend tracking research time separately from writing time. Research can become a black hole, so it's important to make sure you're not endlessly researching as a form of procrastination or perfectionism disguised as procrastination (this is where you're so worried that you'll get it wrong that you try to read everything in your field to make sure you're not leaving anything out). I like what Steven Pressfield recommends in Do The Work* -- a "research diet" of no more than three books on your topic before you begin writing, and permission to do more research later once you've written your first draft and truly know what else is needed to flesh out the story.
- Caveat #2: Be clear on what you're doing for development and know when to call it done so that you're not endlessly perfecting the story before you start writing. This isn't exactly a counting issue but it's an important one to pay attention to. It's easier for me to write "be clear" than it is to actually achieve that, I realize! It's a very iterative process and knowing when you're done requires a full-on gut check.
YOU know deep down if you're procrastinating on starting pages or if you still need to work on your deeper structure and meta work for the story. And there's a real spectrum here too: Many of us are so nervous about spending overly long on development and self-monitoring for procrastination that we're constantly and internally pushing ourselves to rush into pages, while others of us get stuck in perfecting mode.
A good clue is this: What's driving you to keep working? Is the story working for you, but you're telling yourself it's not good enough or thinking that other people won't like it? You may be trapped in perfectionism. Take a good hard look at your work and see if there are any key issues you can work on elevating and then move forward.
Alternatively, if you're thinking to yourself something like, "I don't quite feel good about this yet but I really need to start pages," you may want to give yourself permission to spend a little more time on the development work. Ultimately even story development and actual page writing become an iterative process themselves, so it's true that some working out happens on the page.
There's no one right answer here (with writing, there rarely is) but tuning into your own inner knowing about what's really going on can be illuminating.
Next time I'll share my current list of the development steps I'm using with my screenplays (and novels, it looks like!). In the meantime, if you're holding a limited definition of what counts as writing in your own mind, I invite you to expand it. Here's the list of everything I can think of that "counts" as writing. Hopefully it will free you up to relax a bit more into your writing process.
What Counts as Writing
- Concept brainstorming
- Writing loglines
- Writing premise lines
- Developing character profiles
- Structuring
- Plotting
- Outlining
- Writing a synopsis or treatment
- Brainstorming and mind mapping
- Writing scene cards
- Writing actual New Words
- Revising
- Editing
- Wordsmithing and polishing
What else would you include on this list? Have I forgotten anything? Let me know in the comments.
* Affiliate link
by Jenna | Aug 18, 2016 | Writing Articles
Steven Pressfield has been among my greatest sources of inspiration since I committed myself to taking my call to write seriously.
Around that time, a friend suggested I read The War of Art.
It was life-changing.
Since then, I’ve continued to be deeply inspired and motivated by his other books including Do the Work, Turning Pro, The Authentic Swing, and his newest book, The Artist’s Journey (among others).
Steven’s work, his ideas, and his message have become a part of me. They’ve become a cornerstone for how I approach my writing practice, and what I do as a writing coach.
In fact, the core of what we offer at Called to Write could not be more perfectly aligned with The Artist’s Journey, both of which span the practical nuts and bolts of writing all the way to the more spiritual aspects of calling, destiny, and purpose.
Today I’m sharing 15 of my favorite quotes from his books, with the intention of inspiring you, as he has inspired me.
#1. “There’s a secret that real writers know that wannabe writers don’t, and the secret is this: It’s not the writing part that’s hard. What’s hard is sitting down to write. What keeps us from sitting down is Resistance.” ~ The War of Art
I have found this to be true, over and over. Every time I’m tempted to check something online or take care of something else first, it’s resistance. And this is what we do with my writing community — help writers overcome fear, doubt, and resistance, and sit down to write. Every day. For me, showing up to one of our daily writing sprints helps me press that inner “Go” button and get to work. Every time.
#2. “If you find yourself asking yourself (and your friends), ‘Am I really a writer? Am I really an artist?’ chances are you are. The counterfeit innovator is wildly self-confident. The real one is scared to death.” ~ The War of Art
I have very much found this to be true. Those who question their calling are the most likely to be truly called. I also find that a writer’s sense of identity is a byproduct of actually writing. In other words, once we’re writing, regularly, we feel like writers. And it’s surprising how little it takes to get to that place.
#3. “Are you paralyzed with fear? That’s a good sign. Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.” ~ The War of Art
I also loved what I heard Steve say in an interview once, “Figure out what scares you the most and do that first.” Fear (and resistance) truly shows exactly where we need to grow. If there’s a place in your writing you’re experiencing resistance, look there first. That novel idea you’re avoiding, the story you’re longing to write but you’re scared you won’t be able to do justice? Go there.
#4. “The professional arms himself with patience, not only to give the stars time to align in his career, but to keep himself from flaming out in each individual work. He knows that any job, whether it’s a novel or a kitchen remodel, takes twice as long as he thinks and costs twice as much. . . [he] steels himself at the start of a project, reminding himself it is the Iditarod, not the sixty-yard dash. He conserves his energy. He prepares his mind for the long haul.” ~ The War of Art
Writing is very much about the long haul. Every screenplay I’ve embarked on has taken far longer than I’ve ever anticipated. I’ve learned now to catch myself when I start saying things like, “this will practically write itself!” and to recognize it as one of the many voices of resistance playing tricks with my mind.
#5. “Creative panic is good. Here’s why: Our greatest fear is our fear of success. When we are succeeding — that is, when we have overcome our self-doubt and self-sabotage, when we are advancing in our craft and evolving to a higher level — that’s when panic strikes. . . When we experience panic, it means we’re about to cross a threshold. We’re poised on the doorstep of a higher plane.” ~ Do the Work
“Threshold” is a perfect word here — there are transitions in each work where panic appears. When we’re closing in the on the end, when we’re pushing our envelope. It’s fascinating how that’s often the moment when things go awry and panic sets in. The most important thing is to not make it mean anything.
#6. “Start (Again) Before You’re Ready: I was living in a little town in northern California when I finally, after seventeen years of trying, finished my first novel. I drove over to my friend and mentor Paul Rink’s house and told him what I had done. ‘Good for you,’ he said. ‘Now start the next one.'” ~ Do the Work
I’ve always loved this concept, because it reminds me that this is a lifetime choice for me. I’m a writer. This means I will always be writing. So when I’m done with one, I celebrate it, but then I get going on the next.
#7. On writing “A Character Smarter Than I Am: I realized something I had already known: The part of our psyche that does the writing . . . is far deeper than our personal ego. That part is tapped into a course whose wisdom far exceeds our own. All we have to do is trust it.” ~ The Authentic Swing
Something I love about Steven Pressfield is his ability to bring in the reverence and awe of drawing on our greater, wiser selves with our writing. That even while we’re doing the “blue collar” work of writing, much like digging trenches and just showing up and putting in the time, we’re also resonating with the Muse on a higher plane. The work comes through us, when we let it.
#8. “Aspiring artists often kill their careers in the cradle by overworrying and overthinking. Don’t do it. … You discover who you are as you go along. What defines you is what you have done, but the weird part is you never know what that’ll be until you do it. The trick is: Do it.” ~ The Authentic Swing
Just do it. Just do the writing. And I don’t mean — “just write” — I still prefer to plot and plan my work. But writing is where the answers lie, pen to paper, fingers to keys, even if I’m dialoguing with myself, noodling to figure out what I’m doing. Thinking isn’t writing. I put words on the page to find out what I think, what I know, and who I am.
#9. “How Writing Works . . . The trick to writing, or to any creative endeavor, is that once you start, good things begin to happen. You can’t explain it. You don’t know why. An energy field is created by your love, your will, your devotion, your sweat. . . Trust it. Be brave.” ~ The Authentic Swing
Writing takes on a life of its own. Writing regularly brings a kind of self-sustaining momentum to it, once we get it going. That’s where the magic happens.
#10. “Before we turn pro, our life is dominated by fear and Resistance. We live in a state of denial. We’re denying the voice in our heads. We’re denying our calling. We’re denying who we really are. . . What changes when we turn pro is we stop fleeing.” ~ Turning Pro
Turning Pro is one of my favorite books of Steve’s. When I read it, I straighten up and get serious about my work, no matter whether I’m loving or hating it. I take it seriously.
#11. “When we turn pro, everything becomes simple. . . We now structure our hours not to flee from fear, but to confront it and overcome it. . . This changes our days completely. It changes what time we get up and it changes what time we go to bed. It changes what we do and what we don’t do.” ~ Turning Pro
Yes. Once we commit, we redesign and reconsider everything. We recognize the effort it takes to overcome the resistance, and design our writing lives to minimize that friction and get ourselves to the page as quickly and as easily as possible, each and every day.
#12. “The amateur believes that she must have all her ducks in a row before she can launch her start-up or compose her symphony or design her iPhone app. The professional knows better. . . Athletes play hurt. Warriors fight scared. The professional takes two aspirin and keeps on truckin’.” ~ Turning Pro
Although some might find the idea of writing hurt harsh, I’ve found that so many of the stories we tell ourselves about why we can’t write just aren’t true — and most especially those things we tell ourselves we have to have or have done first (like having more time, more money, better computers, or the bills paid, house clean, laundry done, kids off to college… you name it).
#13. “The artist on her journey confronts no foes that are not of her own creation. Her fear is her own. . . She has created them mentally. She can defeat them the same way.” ~ The Artist’s Journey
Most everything that stops us with our writing comes from within us. Our fears, our doubts, our excuses. Our addictions. (My experience is that grief may be an exception to this.) I love Steve’s point that we can defeat these the same way they are created.
#14. “On the artist’s journey, all strengths are mental. . . [and] are self-generated . . . all may be acquired by effort and force of will.” ~ The Artist’s Journey
Our strengths, just like our fears and doubts, come from within as well. We can learn resilience, patience, courage, and more.
#15. “An artist’s identity is revealed by the work she or he produces. Writers write to discover themselves… whether they realize it or not. But who is this self…? It is none other than the ‘second you’ — that wiser ‘you,’ that true, pure, waterproof, self-propelled, self-contained ‘you.'” ~ The Artist’s Journey
An underlying concept of the The Artist’s Journey is that our “second self,” the part of ourselves that is greater and wiser, is the one who writes. When we allow her to do so. I call this part our “essential self” — the part of us that remains when everything else (ego, personality, negative habits, limiting baggage) has been stripped away and we can step forward fully into ourselves and shine. Steve suggests that our role as artists is to move between our first and second selves, essentially “returning with the elixir” over and over again, as we write, even many times in day, and that the core of what we’ve been put here to do is to make that journey over and over again.
I love this.
If you’d like to check out these books for yourself, here are links to them on Amazon.com and Black Irish Books (Steve’s publishing company). The Amazon links are affiliate links, which means I earn a small commission if you click on them and purchase the books that way.
