An article over on the Final Draft blog with PG: Psycho Goreman writer-director Liam O’Donnell about his writing process, how he spends time on the visual aspects of his stories, and making monsters and aliens galore — all on a meager budget. [read more on the Final Draft blog]
A new article over on the Final Draft blog with five screenwriting takeaways from 2067 to draw on as you craft your own sci-fi scripts.
1. A compelling “what if” premise
2. A hook that keeps your audience wondering
3. Global and personal stakes tied together
4. A time travel explainer moment
5. An inevitable but surprising and satisfying conclusion
A new article over on the Final Draft blog with five takeaways sci-fi screenwriters can draw on in their own scripts from Breach, a sci-fi space thriller in the vein of the original Alien and The Thing — but with a twist.
1. Sci-fi is a flexible ‘reality’ genre
2. Ordinary characters in extraordinary circumstances come with a built-in character arc
3. A-list actors lend credibility to a film
4. Tie the global stakes to personal stakes
5. Your title makes a promise to the audience
An article over on the Final Draft blog with writer-director Liam O’Donnell about how his film Skylines breaks barriers when it comes to writing sci-fi with heavy special effects for the big screen, and also bends a few trilogy story conventions as well. [read more on the Final Draft blog]
A new article over on ScriptMag about Stasis with writer-director Nicole Jones-Dion.
Sci-Fi Circuit columnist Jenna Avery interviews writer-director Nicole Jones-Dion about her feature length film, Stasis, and her lessons learned for up-and-coming sci-fi screenwriters. [read more at ScriptMag]
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