by Jenna | Apr 18, 2021 | ScriptMag Articles
Welcome to the next installment of my “Ask the Coach” column on Script Mag!
This month’s question is specifically about finishing, and when — or if — to give up on a project:
“How can I deal with the indecision that comes with looking at what I’m writing and reaching a point at which I say, “I never should have started this in the first place — no one will care about this, this is unoriginal, this has no chance of selling, what was I thinking?” I don’t see a point at continuing and then go on to the next potentially shiny object. Very frustrating and totally within my control. What do you recommend?”
Great question! In order to help you answer it, I have some questions for you.
“The first thing to consider is whether or not this inner voice speaking up is the voice of resistance, or the voice of intuition.”
For my four questions to consider and my full answer,
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
Image by Gerd Altmann from Pixabay
by Jenna | Mar 21, 2021 | ScriptMag Articles
Welcome to the first installment of my new “Ask the Coach” column on Script Mag!
This month’s question is specifically about the three-act structure in screenwriting:
“What I’m running into is the common criticism that my stories are not strongly three-act. They have a beginning setup, mounting problem, and ending resolution — good stories, I’m told — but tension doesn’t build in common cinematic form. Yet, I watch produced movies even less three-act structured. What am I missing?”
As your coach-of-the-moment, here’s how I’ll approach this question with you. Let’s look at the core components inherent in the question: how films get made (to address your comment about the produced movies), the source of the feedback, the value and strength of the three-act structure overall, and the impact of your own work.
“Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.”
— Neil Gaiman
For my full answer on three-act structure, how to look for a note beneath a note, and digging deeper into improving your next draft
Image by Lukas Bieri from Pixabay
by Jenna | Feb 23, 2021 | ScriptMag Articles
My new “Ask the Coach” column on Script Mag launched this week!
As a writing coach, I answer a lot of questions for writers about how to make the work of writing actually happen. As you may already know, I specialize in helping writers get out of their own way and back on track with what they were put here to do.
In this monthly column, I’ll be answering your questions, anonymously, about navigating the ups and downs of writing, being a writer, and living a writer’s life, specific to your unique circumstances.

This is a judgment-free, guilt-free zone. It doesn’t matter what you have or haven’t done, so far.
What matters is what comes next. Ask me your most pressing questions, and my goal will be to help find a solution that works for you.

For a sampling of topics writers often ask about and to submit your own question
read the article on Script Mag here:
Ask the Coach: Your Writing Questions, Answered

Photo by Olya Kobruseva from Pexels
by Jenna | Jan 3, 2021 | Writing Articles
This is the third and final article in our “new year to write” series! This article is about some of the lessons we learned in 2020 about writing all year round even in the most difficult and unexpected circumstances.
In our Called to Write community, it feels like we’ve been through it all together — it’s always an incredible place for learning and growing in a powerful way. 2020 really put our collective writing mettle to the test and I’m grateful for all we’ve learned.
Here’s what we learned at Called to Write in 2020 about how to keep writing year-round, even in the middle of a pandemic, to bring forward with us into 2021.
Writing with others helps TREMENDOUSLY.
Isolation has been a terrible problem for so many people during the pandemic. And since writers struggle with feeling isolated too? Double whammy. What we’ve found at Called to Write is that having a tight-knit community of writers committed to the cause of writing — even on the days when it just, well, flat out sucks — really helps us see it through. And the thing is, the bad days are so much less important when they’re surrounded by better days. Writing regularly in the company of other writers ends that sense of isolation.
Between our online writing sprints and our weekly, organized Zoom meetings, we have a sense of being in it together. Thank goodness.
Tip: Find, create, or join a community of writers to help you stay motivated to write.
Creating MORE structure around writing helps with the timelessness we’ve been experiencing.
Yes, some of us believed having tons of enforced time at home under lockdown would result in equally epic tons of writing time (King Lear, anyone?), but quickly found that was NOT the case.
If anything, we struggled with a disorientation of time and place that felt impossible to manage. Whether you were home alone on your own or in a house filled with unexpected constant companions, making a regular writing schedule happen was Just. Not. Working.
Oddly enough, in our community, we quickly learned that adding MORE structure for our writing than we usually use was what solved this problem. We added extra writing sprints (we went from one per day to four per day). We shifted to weekly meetings instead of twice monthly, and switched over to Zoom so we could see each other’s faces. We added Progress Journals to track our work and create extra accountability. And what we found is that adding extra structure and support for our writing made it easier to rebuild and maintain our writing momentum.
Tip: Set up designated writing time and lots of extra structure, support, and accountability to help you see it through (as much as you need).
Your “lights out” and wake times really matter.
Getting enough sleep is so important. But so is getting up early to write. These pandemic days are blurry. They squidge together in the most unpleasant way. Grabbing each workday by the horns and showing up to write, usually early, makes it far less important if the rest of the day goes off the rails with distance learning, weird shopping challenges, or other issues.
This is one reason why we ran a Morning Writing Challenge even in the middle of election week. We knew it was likely to be stressful, incredibly distracting, and possibly upsetting, but at the same time, I was determined not to let the state of our republic stop me from writing. And the big way I’ve been doing that — election week and otherwise — is getting up earlier and earlier to write, and going to bed earlier and earlier as a result.
Here’s the big reason why: Early in the morning, we’re far less likely to get sucked into news, drama, or Other People’s Stuff. Putting your focus on your own work (keeping your eyes on your own paper, so to speak), keeps your writing moving forward, regardless of what’s going on in the rest of the world.
Tip: Figure out how much sleep you need, and design your schedule around it.
Bonus: Get up early to write and reap the rewards of quiet writing time.
Small increments of writing (still) work.
Something we’ve always taught about at Called to Write is the power of working in small increments of writing time, as a way to build or reboot a regular writing practice. And, as Vizzini from The Princess Bride says, when something goes wrong, you go back to the beginning. Well, some things went wrong this year. So we go back to the beginning.
If you got off track with your writing in 2020, use the tool of working in small increments of time — even 5 to 15 minutes — to rebuild your writing practice. You can also experiment with working with small sections of your book or project too, if you’re revising, for example, which doesn’t lend itself as well to small increments of time. I jump-started my script revision by focusing on 15 page chunks; far less overwhelming than imagining tackling the whole thing in one go. It’s just a Jedi mind trick but it works, so I’ll take it. :)
Tip: Use small increments of writing as a tool to help get yourself going again.
Remember why you’re writing.
This has been a rough year. I know I’m not the only writer who wondered whether it was even worth it to keep writing in the face of the massive challenges we’ve been dealing with globally. It’s impossible not to question our actions when faced with life-and-death circumstances, oppression, and political crisis. What’s important? How should we be spending our time? Will our writing even have a place to end up? What will readers, viewers, publishers, and producers even want, after all this?
My perspective is that all writing is needed and has a place (I’ll make an exception for hate speech). As creators, we entertain, heal, inform, and grow through writing, and we do the same for our readers and viewers. And it doesn’t matter what we’re writing. Fiction entertains, comedy lightens hearts, feel-good movies lift spirits. Serious pieces offer food for thought. Non-fiction teaches. Our writing has a place and a purpose, and if we’re called to write, we simply have to trust the muse and seek to fulfill that calling.
Tip: Remind yourself why you’re writing and what’s important to you about it.
First photo by Olya Kobruseva from Pexels