Sci-Fi Circuit: Sci-Fi Storytelling, Part I — Story Type, Mistakes, & Big Ideas
Image by Reimund Bertrams from Pixabay
							
					
															Image by Reimund Bertrams from Pixabay
							
					
															Writers who tend to join my writing community — and get the most out of it — often have both a deep call to write (whether they’re doing it consistently or not) and a specific project they want to work on, perhaps one half-completed, languishing on a shelf for a couple of years. And when they find out about the writing community, they’re eager to move past the dreaming or stuck stage into action.
This is the story of a man who has done just that.
When he joined the writing community all the way from Sweden, Rikard Bergquist had been working on his novel intermittently, struggling to find enough time to write and to move past the outlining and preparation stage into writing actual New Words. And he had a little two-year-old daughter at the time too! (She’s three now.)
After being in the writing community for a session or two, continuing to write intermittently, and listening to me (harp on about :) ) advocate for early morning writing and small writing sessions as a powerful way to jump-start a writing habit, one of our other members “threw down the gauntlet” and challenged him to try writing for 5 minutes every day and logging in every day on the site to report about how it went for him. He took her up on the challenge. It changed his life.
In less than four months, after building from 5 minutes a day to a solid writing habit of 60 minutes a day, he knocked out 75,000 words and completed his first draft. He’s still with us in the writing community now, working on revisions. He is one of our most dedicated and consistent members, showing up to write and log in on the site even while traveling — he even met me for coffee in Berkeley here the other day to talk shop while on a trip to the U.S. from Sweden. It was great fun. :)
I asked “Rick” (as we affectionately call him in the writing community) to talk to us today about his experience with finishing his novel, how he got there, and what’s he’s learned about his writing process along the way. You may be surprised to find some ideas and inspiration you can adopt for yourself.
It was one of the most empowering and surprising experiences I’ve had. Empowering because finally this dream of a novel I’ve had for a couple of years was becoming a reality. I escaped the terror of the first draft and actually produced 75,000 words. Instead of laboring and trying to make early parts of the story perfect, writing and rewriting, outlining and rearranging the order of scenes, as well as reading the latest book on craft and thinking I finally got it, I did the work and now have a substantial number of written pages to show for it.
It was surprising because I did it by writing for about an hour every morning during four months — I never thought an hour a day would amount to anything. I surprised myself weekly when I saw what I had accomplished with just an hour every morning. I surrendered to the process, allowing myself to write badly, knowing that it was only the first stage in a big adventure. Overcoming that editor inside of me, who kept telling me it was crap, was a big victory. And my first draft is the result. Now I know that first drafts aren’t supposed to be outstanding perfect novels, they’re just supposed to be written.
The story is set in the 1570s of Stockholm, Sweden. In a power struggle for the crown our hero supports a new queen for the throne, who turns out to be a murderer, poisoning her competition. When his secret love interest is surprisingly accused and imprisoned for the murder, without any hope of pardon, our hero has to choose between his career or saving her. And what price will he pay for the choice he makes?
I work in the financial industry, for a private equity company, with business development. It’s hands-on management in selected individual companies in a wide range of industries. Writing is for me a creative outlet and a possibility to follow a totally different path.
Consistent daily work is key to my process. Being consistent means that I stay in touch with my writing, even though I might be working and doing other things during the day. The story evolves and develops in my subconscious, waiting to be served up during the next writing session. Setting goals and being accountable within the writing community, giving and receiving feedback on each others’ processes — in short, knowing that my efforts are noticed by others is a big motivator for me.
Focusing on the process rather than the craft, is a very important difference from other writing groups I’ve participated in. For me, this group is about focusing on getting the writing done, every day. What you write, how you write, and when you write is up to you. But do it every day. The accountability and support of the writing community is key to making that happen.
My biggest challenge was finding time to write. I kept telling myself I needed chunks of at least 3-4 hours of undisturbed concentrated time to get anything done. I used to laugh at friends telling me how someone they knew had finished a novel by coming in 15 minutes early to the office and using that time to write. “It just isn’t possible,” I used to say, but now I know better. I kept on trying to find my big chunks of time, getting them here and there. It was a constant struggle. Looking back, I feel like I wasted a lot of time thinking about how to find time to write, but never doing the actual writing, and instead ending up feeling frustrated and lost. I knew I wanted to write, but why didn’t I just do it? I wrestled a lot with that question. With the help of the writing community I established a habit of rising early and writing for an hour every morning. Consistently.
At first my writing consisted of sporadic big chunks of time, where I spent the first part of each writing session reconnecting with my story and the latter part coming up with some new tweaks to my outline, synopsis, and characters. I always felt happy and satisfied afterwards, but not continuing to work on it over time always made me question my earlier work when I got back to it. And I was never moving into writing actual words, paragraphs, and chapters of the book, just staying at the outline stage.
There were two key moments for me — One: I followed the advice from you, Jenna, and fellow members of the writing community to adjust my target amount of writing time downward until I found a suitable amount that I could do consistently every day. For me that was five minutes. How amazed and surprised I was of the power of those five minutes. It changed my world — I connected on a deep level with my story and gradually increased the five minutes to sixty minutes per day. At first outlining scenes and then actually writing the first draft.
And this is where my second key moment occurred — Two: I could not get myself writing. I stalled. I reworked. I was stuck. Again following advice from the writing community I gave myself permission to write badly. I told myself “I am writing crap,” and suddenly I was writing about 750 words during that hour every morning. And surprise, it wasn’t all crap.
The only way to do it, is to do it. Complete the journey from the first page to the last page. If you can’t do this, it’s game over. Because without the first draft, you have nothing. You need a lot of faith to do it, faith in your unproven ability to write a novel. But give yourself permission to fail, to write crap, to make mistakes, to forget your outline and synopsis and before you know it, you will have your first draft.
Right now I am revising the draft. Aiming at having a first rewrite done in a couple of months. There are times when I feel like giving up, but I now know that that’s only part of the writing life. It’s a constant flow of ups and downs, you just have to trust the process and keep putting one foot in front of the other. Finishing this first draft, I will turn it into my second and then my third, or as many as I need to finally hold an amazing novel in my hands.
Have faith, never give up, and know that in the end you’ll succeed. Once you’re in the habit of writing, trust the process to bring you to the finish line. If you feel down and lost during the journey, just tread water and wait for the next creative wave to come. It always does, have faith.
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															Something that’s helped me when taking on a longer writing project is understanding the natural ups and downs of the writing process. Now when I know I’m in an “up” or a “down”, I don’t take either one too seriously and just forge ahead.
But in the past, I’ve made the mistake of thinking that if I’m having a hard time or if I’ve “lost interest” in a project, that it means something about the project, like:
Now that I’ve been through this process a few times, and I’ve worked with more than a few writers and observed them going through their own stages with their writing projects, I’ve come to see the experiences we have as natural patterns that are part of any project. And “getting” that I’m having a normal experience helps me make the decision not to take it too seriously and to continue on, even if I’m having a hard time with it.
So let’s talk about these stages we go through, shall we?
Here’s what I’ve observed about the natural stages of a writing project. I’m sure they apply to ANY kind of creative or other resistance-triggering endeavor. If you have other stages you’ve recognized, please post them in the comments.
And then, of course, we start all over again.
What’s particularly useful about this is noticing how creative blocks like perfectionsim (“This’ll be my best project yet!”) and apathy (“I’m over it.”) can show up. They are resistance in disguise. The key is not to fall for them, but to keep going until you get to the end. THAT is the time to evaluate what you have and decide what happens next with it.
I see an epidemic of not finishing all around me. Perhaps it has to do with the short-term gratification culture we’re raised in these days (a favorite quote from Carrie Fisher, “Instant gratification takes too long!”).
What I know is that personal strength, self-confidence, and self-worth is deeply grounded in commitment, doing the work, and making the hard choices.
Warmly,
 
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															So many writers I’ve spoken to recently are talking about finishing; many at that point of having just finished a major draft or putting the finishing touches on one.
It got me to thinking about the ingredients that go into the mix to make that happen.
It strikes me that there are both internal and external aspects to these success stories. What I see on the internal side is:
Hopefully we have all these skills. If we don’t, we can strengthen them within ourselves. (And there are good coaches and therapists who can help us do just that.)
So yes, completing any project requires a tremendous amount of drive, determination, and courage. But even the strongest of strong-hearted among us get tripped up by a laundry list of obstacles, like:
Many of these things can be solved with self-awareness and determination, and yet what I see time and again is that we can draw on resources outside ourselves to help us make it through the rough patches. Things like:
Warmly,
 
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															As writers and creatives with a certain sensitivity to life, we can get easily overwhelmed, which can be paralyzing, deeply uncomfortable, and hard to break free from.
Let’s talk about why that happens and what we can do about it.
There are a few different ways overwhelm happens, and they inform us about how to handle the overwhelm, so it’s useful to look at what’s gotten us overwhelmed in the first place.
When we’re taking on a big project (like writing a novel, for instance), if we look at the entirety of the thing, it can be overwhelming just to contemplate, let alone begin it. I’m reminded of the joke about how to eat an elephant. If we look at the whole thing, it feels impossible. But when we think about taking “one bite at a time”, we can begin to see how to start going about it.
If you fall on the highly sensitive side of the spectrum, you’re more sensitive to stimulation of any kind, and have a lower threshold for stimulation than the rest of the population. This means that you’re more likely to get overwhelmed earlier than your peers, which can feel a little crazy making when everyone else seems to be able to handle it just fine, thank you very much. But overwhelm from overstimulation is just as paralyzing as the other types.
Then there’s the “garden variety” overwhelm we experience in our busy world. There’s always more to do, more to take on, more to handle. Someone always needs something, there’s a project that’s due, our kids are sick, you name it.
And it can be easy to let something like a writing habit or a passion project fall to the wayside in the midst of all that. But the cost is far higher than you might expect. It turns out that feeding the passion we feel and fulfilling the commitment to our deeper selves is critical fuel we need to actually handle the overwhelm. Even at a time when “one more thing” feels like way too much, putting ourselves first — just like we put our oxygen masks on first — is key to staying grounded and sane when the going gets tough.
As far as solutions go, it depends.
First ask yourself, is this an ongoing pattern in my life? If so, the answer is to look closely at what you’re doing and why you’re doing it, to see if there is anything you can let go of, delegate, or defer. Be willing to keep your passion project at the top of the list, and let go of other obligations. Your first obligation is to yourself. Choose wisely.
On the other hand, if you’re experiencing an unusual period of intense work, simply “contract” your expectations on your project to an attainable level. For example, write for 15 minutes instead of an hour, or pick out the tiniest piece of your project to focus on.
Beyond the “ordinary” level of overwhelm we feel in our day to day lives comes the extraordinary kind of stress and overwhelm we can feel when a major life event dominates our experience, like a parent being hospitalized, a major relationship upheaval, the death of a loved one, or personal surgeries or health issues.
During times like these, pretty much everything drops off the radar that isn’t “critical path” to handling the major life event. In my opinion, that’s okay, especially during the true crisis times. But once things start to settle down into a “new normal”, see if you can find your way to doing the contracted version of your project I mentioned under number 2, above.
When we are creatively (and energetically) burned out, we can get overwhelmed by the simplest things. Keeping the house clean, dealing with paperwork, and handling the basics of daily living can make us want to crawl back into bed and hide.
Usually this happens for a couple of reasons, including dealing with the ongoing high level of expectations we have in our culture about what we should be able to do in any given day (see #2, above), and dealing with major life events (see #3, above), but it can also include the creative backlash that comes from pushing ourselves to the point of burnout.
In other words, if we’re working crazy hours to meet a deadline, we become exhausted when it’s done, and no surprise there either. But few of us allow ourselves to take time off when that happens.
Warmly,
 
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