Deciding Between Writing Ideas + How to Edit & Get Feedback

Deciding Between Writing Ideas + How to Edit & Get Feedback

In this month’s “Ask the Coach” article, I’m responding to two questions about choosing projects and getting feedback.

“I have four different topics that intrigue me. All could be short non-fiction books. How do I commit to one? It seems like each day a different one appeals more. I start on one, then wonder if another would be easier or more fun.”

Here are the main ideas I discuss in my response:

  • Reflecting on what kind of writer you are, and the kinds of challenges you face.
  • The “grass is greener” feeling 
  • Using your inner knowing to pick the project you want to work on first
  • Using “decision criteria” to identify a list of criteria to litmus test your writing choice. 

And this is the second question I answered:

“What do you do after you have finished writing your script — how to edit, get feedback, etc.?”

Here are the steps I suggest in my response:

  1. Set your script aside for at least a few days.
  2. Read through your draft and make notes.
  3. Make a short reverse-outline of the script. 
  4. Make notes about what’s working and what’s not.
  5. Tackle the big stuff first.
  6. Correct smaller items as needed (but not in scenes you might cut!).
  7. Set it aside again, then read and repeat.
  8. Once you have a draft you feel good about, then look for feedback.

 

When it comes to choosing projects to work on, to finishing and getting feedback on your scripts, trust your inner knowing about what resonates and what doesn’t.

 
Want the full scoop? There are more details in the full article on Script Mag: 
Ask the Coach: Deciding Between Writing Ideas + How to Edit & Get Feedback


 
 
 
If you’ve got writing questions, please send them my way!
I’d love to answer them for you in my column.
 
Photo from Canva
6 Steps to Tackling a Major Script Revision

6 Steps to Tackling a Major Script Revision

Despite everything that’s going on I’m thrilled to have finished a major revision of the first act of my script. While there’s more to go, getting the first act sorted for the new vision for the storyline has been a big undertaking. This article goes into my methodology for tackling a major script revision, much of which translates quite handily for novel revision too. 

 


The beautiful part of writing is that you don’t have to get it right the first time,
unlike, say, a brain surgeon.”
– Robert Cromier



If you’re staring down a major script rewrite it’s easy to feel overwhelmed, particularly when dealing with large-scale structural or character changes—or both! Even though we know “writing is rewriting,” it can be daunting to face a big overhaul, especially if this isn’t the first major revision you’ve made to this script.

One of the biggest obstacles writers face with a major rewrite is mentally releasing the old version and fully embracing the new one. It can feel like two parallel universes jostling to occupy the same space. Without Cisco Ramon from The Flash to breach us between alternate realities, we have to find our own way to span the chasm between the two. I call this bridging the rewrite gap.

If you’re finding yourself having trouble letting go of the old story (Hint: you’re constantly saying, “Well, in the current draft, x happens…”) these six steps will help you make a smoother transition from old to new, as well as expedite your rewrite along the way.

 

Read the article on the Final Draft blog here:
6 Steps to Tackling a Major Script Revision

 

 

Jenna Avery
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

You can review our cookie policy here - Cookie Policy