Author Insights: It’s Never Too Late to Finish Your Book Now

Author Insights: It’s Never Too Late to Finish Your Book Now

TerriMany people have unfinished writing projects that linger for years, but it's never too late to finish your book. And the time to get restarted might just be now.

I reached out to Terri Fedonczak, a long time writing community member, to talk to us about her experience finishing a long-time writing project after 15 years of dreaming and what that's been like for her. Terri has been such a great participant and gotten so much out of the writing community that I recently invited her to join us as a coach for one of our coaching groups on the site.

Read on to find out about Terri's extremely inspiring project for parents (I've seen a preview and it's terrific!) and how she conquered her writer's isolation and resistance with the help of the writing community and saw her book all the way through to done.

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Terri, welcome and thanks for being here. First, let's talk about your accomplishment -- finishing your parenting book! What was that like for you?

Thanks for having me, Jenna! When I finished my first draft, it was the culmination of a dream I have had for fifteen years. I remember telling my niece about how I wanted to write a parenting book and discussing topics with her; this was in 1996. When I actually finished my first draft, I thought there would be angels singing . . . not so much! What I didn’t realize was the time involved in the editing process -- there's always more!

How long had you been working on the book prior to joining the writing community?

I spent fifteen years working on the first draft, but I had been jotting down ideas in my journal for ten years before that. In the ensuing years, I wrote little snippets in journals and spoke ideas into my portable tape recorder.

You actually finished a rough draft of the book after you first joined the writing community in 2011, is that right?

Yes, my first session of the writing community was spent culling all the bits and recordings into a little 60 page book.

Then what happened that led you to completing this new draft?

I interviewed three different editors, and picked Darla Bruno. She read through my first draft and suggested that the book wanted to be more. I hadn’t put my life into the book or any coaching tools. So, I took the challenge and spent the next year or so rewriting it. The completed book is 214 pages, and it’s everything I envisioned back in 1996!

What can you tell us about yourself and about the focus of the book?

I'm the mother of four daughters: three biological and one bonus girl that came to live with us in 2010. I'm a breast cancer survivor; I mention it, because it changed the course of my life. I left my fifteen-year commercial real estate practice to become a Certified Martha Beck Life Coach, writer, and speaker. Breast cancer changed my priorities completely; the threat of losing my life awakened me to the importance of living my right life.

The title of the book is Field Guide to Plugged-in Parenting, Even if You Were Raised by Wolves. It answers the question of how to be a good parent if you have no role models -- you know you don't want to replay your childhood, but you are lost as to an alternative. It's a compilation of all the parenting and coaching tools I have used successfully with my kids, with some humor thrown in to lighten the load. I walk you through a process to create your own parenting plan, so that your kids will be starting with an infinitely better foundation, thereby ending the wolf-baby cycle forever. Wolf babies is a term I coined to describe those of us who were raised by wolves and suffer from lack-based thinking as a result.

How did you find out about the writing community and what inspired you to join us?

Jill Winski was in my life coach training class, and she put out an ad for the writing community on our Facebook page. I saw it and knew that I needed help with making my book a reality. It felt like divine guidance . . . and it was.

What have you learned about your writing process from participating in the writing community?

I’ve learned that there is no magic pill, place, or instrument that delivers a quality product. All it takes is complete honesty, utter vulnerability, and a daily practice of showing up to the page . . . no big whoop!

What were the biggest challenges you faced before joining the writing community? Have they changed? What's different now about your writing habit?

I think the biggest challenge I faced was the feeling that I was all alone in my desire to write a book. I knew I had an important message, I just didn’t understand how to deliver it. With the writing community for support and accountability, my biggest challenge now is the acceptance that I am a writer. It’s not a fluke or a pipe-dream; I wrote a book, ipso facto, I’m a writer! The biggest difference in my writing habit is that I’m no longer plagued with resistance, so I write every day. Some days it’s just 20 minutes of morning pages in my journal, and some days it’s three hours working on a blog post or outline for the new book . . . but I write every day.

What advice do you have for other writers?

First of all, join the writing community! It’s the best way to incorporate writing into your daily life. Secondly, write every day, even if it’s just 15 minutes in your journal. While your logical mind is busy watching your hand move across the paper, the most delightful tidbits will rise up from your creative mind. When one pops up that excites you, expand it . . . like you're telling your favorite friend a story. You don’t need anything other than a pen, paper, and a bit of quiet time to awaken your creative side . . . and then you’re off to the races!

What’s next for you and your writing?

I’m developing a program that I will be delivering to incoming 9th grade girls called, “Field Guide to the Wilds of High School.” I developed the program while on safari in Africa (jeesh, that sounds so hoity-toity), and it’s based on the power of the pride. I watched the way the lionesses took care of the pride, and how their raw feminine power ran their world. It reminded me of what’s missing in Girl World. So I’m taking the program into schools this summer, and then I will turn the results into a book for teens and a corresponding book for parents on how to survive high school.

Is there anything else you’d like to tell us?

I believe that everyone has a creative person living within them, and that creative energy can turn drudgery into joy. Find some way to nurture your creative side, and your life will blossom in endless and unexpected ways…or at least that’s what happened to me.

About Terri

Terri2Terri Fedonczak has 22 years of parenting experience and is a certified life coach, specializing in parent and teen coaching. After 16 years as a commercial real estate agent, a bout with breast cancer transformed Terri’s life in 2010, making her realize that time with her four girls and patient husband was a much better deal than money and status. It was time to put her mission into action. She left sales and embarked on a journey of spreading the message of girl power for good. When Terri is not writing books, speaking, coaching, or blogging, you can find her paddle boarding on the sparkling waters of Boggy Bayou, knitting to the consternation of her children, who are buried in scarves and hats, or dancing in her kitchen to Motown.

You can follow Terri online at https://www.girlpowerforgood.com/ and on Facebook here. Look for Terri's Field Guide to be published in January 2014!

 

 

The biggest summer writing stumbling block

The biggest summer writing stumbling block

This week I taught a class called “Get Ready For Summer Writing” with an eye toward looking ahead to the summer and getting a writing plan in place to deal with the various obstacles and opportunities that arise around the summer time, like the kids being home, schedules changing, more traveling and vacations coming, and dealing with weather changes like it being unbearably hot (or suffering through the summer fog here in the Bay Area!).

We walked through a planning exercise to give some thought to where we want to be at the end of the summer and how we’re going to get there in terms of words or pages per day over the specific duration of the summer.

I also shared some tips, tricks, and strategies to keep writing during the summer, deal with the challenges, AND have the summer fun we’re all longing for.

The biggest stumbling block

One of the biggest mistakes I see people making when it comes to summer writing (or writing at any time, for that matter) is taking an all-or-nothing approach. Many people think that if they want to travel or be outside or take care of kids or even deal with major life transitions, that means they can’t write.

Nothing could be further from the truth.

The key is being willing to adjust your writing goals to match to your circumstances, not give up writing altogether.

Binge versus balance

While I know that some writers have a tendency to binge-write (and some people even advocate for it!), I remain highly skeptical of its sustainability in the long term, particularly for more sensitive types. I put in an extra effort a few weeks ago to get my script to my mentor in anticipation of submitting to a contest today (gulp) and even that extra effort set me back a bit.

It’s all a system of checks and balances, and while there are people who will tell you that balance is a myth, to that I say, are they highly sensitive or introverted types who need careful energy management? And are they finding themselves settling into long term burnout? I’ve talked with more than a few writers who feel burned by their own efforts, have started to feel like they hate writing, and even question why they’re doing it in the first place. Why wouldn’t they, when they’ve committed (consciously or unconsciously) to a program of writing aversion therapy?

Try small doses of daily writing instead

Instead, I like to see people writing in a long term sustainable pattern, including taking regular days off (I’m not a fan of “don’t break the chain“). It’s easier to maintain in the long haul, and helps keep your momentum and ideas flowing.

So if you’re looking ahead to the summer and asking yourself how you’ll get your writing done AND do the other things you’ve got your eye on, give some thought to a highly achievable small increment of writing you can commit to on a small scale. Even five to fifteen minutes a day will keep you in touch with your project and keep you moving forward. I’ve seen more than a few writers in my writing community move to completion with projects again and again, using just small increments of time and showing up regularly to do the work.

You can do it too.

Fighting writing resistance

Fighting writing resistance

One of the greatest bugaboos of writers (and creatives of all sorts) is resistance.

Ah, resistance.

Resistance is that unseen force that repels us from writing (or eating our vegetables or doing other good things we know will move us forward in our lives). We’ve talked about resistance here before, including why we procrastinate, especially about the stuff that really matters.

I often talk with writers about the ways to face and battle resistance — it’s something that must be overcome pretty much every day, in order to sit down to write. (Or floss. Or exercise. Or take your vitamins. Or keep your resolutions.)

One of the very best antidotes to resistance is creating a solid writing habit. (Just like a habit of going to the gym makes is so much easier to keep going.) Once you’ve got the habit in place, you stop thinking about it, and you just do the work.

But resistance is tricky!

One of my community members mentioned the insidious nature of resistance, and how sneaky it is. I was instantly reminded of a story that illustrates resistance all too well and posted it on our forums for our participants. I thought you might like to see it too.

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In one of my favorite fantasy books, Seventh Son by Orson Scott Card (part of his excellent series, The Tales of Alvin Maker), there’s a scene that I think describes how resistance operates very well. Keep in mind that it operates in a positive way in this story, at least from the protagonist’s point of view, but from the antagonist’s point of view, it thwarts him to no end.

Here’s the scene:

Alvin is a young boy with innate magic abilities, a force for good in the world, and a natural “Maker” — someone with a knack or talent for making things. Reverend Thrower, the local preacher deeply opposed to the folk magic Alvin practices in his community, has been instructed to kill Alvin by the “Unmaker.” When Alvin is injured, Thrower is asked to perform a surgery on Alvin’s leg, and Thrower sees his chance. He goes into the room where Alvin is resting to do the surgery with a knife and bone saw, with the intent to kill Alvin with the tools.

But when he gets into the room, he realizes that he’s left the tools outside the room. So he goes to get them. And then goes back into the room. And realizes that he’s left the knife and saw outside. Again. And then it happens again, even with other people trying to go and bring the tools into the room. Somehow this force of resistance simply will not allow Thrower, the knife, and the saw to be simultaneously in the room in Alvin’s presence. And it keeps happening, endlessly, until somehow Reverend Thrower finds himself a half-mile away from the house, walking away from it.

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Now again, I realize, this is a positive kind of resistance, because it’s a benevolent force protecting Alvin’s life from Thrower.

But at the same time, I have always been mesmerized by the notion of this man who is so determined to do something, but an unseen force acts against him repeatedly, despite the strength of his intention and will.

This is how I see resistance to writing. An unseen force that will do whatever it can, trick us however it may, into “staying out of the room” or not sitting down to write, as if somehow butts in seats and fingers on keyboards are mutually repellant forces.

Vigilance is required.

The force of resistance must be met anew every single day.

This is why I keep writing every day, pretty much, and doing it early, because it’s SO MUCH EASIER than having to think about it and wrestle my way through the mountain of resistance and procrastination and guilt and shame that comes up when I wait to do it later in the day.

Everyone I talk to about how I get up to write early thinks I’m so disciplined and determined, and it’s true in some ways, I am.

But — think what you will — to me it feels like I am taking the easy way out. I know that sounds crazy. But I feel it inside me, that writing early, having that regular habit, actually makes it easier to keep doing it than it is to stop, and so much of the daily struggle over when I will write or will I write or how long am I waiting to write, etc., it’s just gone.

Gone.

Warmly,

 Jenna

 

Write first thing in the morning? Are you crazy?

Write first thing in the morning? Are you crazy?

Back in November 2011, I wrote a post about why I’ve been getting up at 6 a.m. to write. It’s something I often encourage writers to try, especially those that are struggling with resistance and / or struggling to find time to write.

In my writing community, one of our writers found a study showing that your optimal creative time may actually be the opposite of your peak cognitive time. It’s sparked quite the discussion and has inspired some of our members to give morning writing a try. I have it in my mind to write a guide to morning writing, and I thought I’d start off with an article about it first.

The basic principle

The basic principle of writing first thing in the morning is that it’s about doing the hardest work first.

And by “hardest,” we don’t necessarily mean the most difficult, though it may match up.

We’re talking about doing the work that triggers the most resistance at your first available opportunity.

What does “first available opportunity” mean?

When I first started writing daily with Called to Write, my routine was that I would take my son to preschool, get back to my desk around 9 a.m. — my theoretically first available opportunity — and then write. Except not. Because I kept getting sucked into email and work. It was during work hours, and I felt hard pressed not to be focused on income-generating activities.

At least that was the story I told myself.

The deeper truth is that once I was awake for that many hours, my fear — as represented by my inner critic — was a heck of a lot louder by that point in the day when I was fully awake.

So I decide to try the morning writing gig and see how it felt. As an experiment.

Why it’s advantageous to write first thing in the morning

I first came to the notion of morning writing after reading about several writers that swore by it. Since they were pros, I figured they must know something that I didn’t. So I thought I’d give it a whirl and see how it went.

Here’s what I found:

  • The longer I’m awake, the more opportunities I have to procrastinate. Writing first thing helps me circumvent my natural tendency to avoid the very work I’m called to do.
  • My inner critic is much, much more quiet first thing in the morning. I don’t have to work so hard to keep those gremlins at bay when I’m still sleepy.
  • Because I’m writing regularly, it doesn’t take more than a minute to find my place in my work from the previous day and start writing again.
  • I spend the rest of the day in a greater state of calm because I’ve met my goal for the day. It doesn’t hang over my head, nag at me, or make me feel guilty if I haven’t done it yet.
  • I’m wasting a lot less time doing meaningless things at night because I’ve adjusted my sleep schedule to get up earlier.

Common objections to writing in the morning

Whenever I mention this idea to writers — usually the ones struggling most with resistance and procrastination or time management — the most common objection I hear from people is that they are “not morning people.” And it seems like people have natural rhythms they’re naturally drawn to.

The funny thing is that I can tell you truly, I am not a morning person. When I first started my coaching practice, I was delighted to realize I could start my days whenever I wanted to — which was late. I loved the fact that I didn’t have to set an alarm clock and that I could schedule my first clients at noon. I loved sleeping in late and staying up late. It fitted with my natural rhythm.

Now, however, I love being up earlier in the day.

I love the fact that I can get so much done before 10 a.m. and feel like I have the whole day ahead of me.

I also love going to bed earlier (lights out by 9:30 is the target), because I use my awake hours much more wisely. (And by the way, I suspect there wouldn’t be so many night owls if we weren’t “biased” by electric lights.)

Things to keep in mind as you shift your schedule

If you decide to give morning writing a go, here are a few things to keep in mind.

  • Start by setting an alarm clock for 30 minutes earlier than your standard wake up time, then push it 20 to 30 minutes earlier each day until you hit your target.
  • Also give some thought to how much writing you want to do each day. You’ll be able to gauge how early you want to get up depending on your writing goals for the day (and remember, as we teach in my writing community, it’s perfectly okay to work in small increments — even 5 to 15 minutes a day is great, especially as you’re building the habit.)
  • I’ve found that it’s easier just to be tired for the first few days and to go to bed early those nights to help myself make the shift. At least for me, it just prolongs the discomfort if I decide to sleep in a few days, take naps, or otherwise try to make the change gradual.
  • Be clear that you will need to go to bed earlier to make this work. I’ve seen other writers still trying to burn the midnight oil AND get up at dawn. That’s ultimately a drain on your creative well, and you won’t be able to run on empty for long. So determine how many hours of sleep you need, and do the math so you know what time you need to go to bed.
  • Give yourself about one to two weeks to get used to the change. It doesn’t happen overnight.

It’s a grand experiment

As you embark on this, think of it as an experiment. See what you notice about how you feel about your work and what you notice about your stress levels during the day after you’ve done your writing. You won’t really know if it works for you or not until you try it.

7 tips for staying motivated by self-created deadlines

7 tips for staying motivated by self-created deadlines

The other day I commented about how “It’s so tricky to be your own deadline-maker,” in my writing community. One of our writers wrote back and said, “If you have some tips on how to be more motivated by self-set deadlines, I would love to try them.”

So like last week, I’m continuing my theme of answering questions that have come up in my community that I felt would be useful for everyone to think about. (And before your eyes glaze over if you’re not a writer, don’t worry, you can use these techniques too.)

And here they are:

7 tips for staying motivated by self-created deadlines

As you read through these, see if you notice how I use external forces to keep the internal deadlines moving ahead.

1. Use Jedi mind tricks.

Find a reason to believe in the significance, importance, and the power of the deadline. If you create a deadline, but you internally decide that it’s flexible or not important, you won’t stay motivated by it. So find a reason that makes your deadline compelling.

For instance, my current compelling deadline for the ebook project I’m working on is the result of mapping out my launch calendar for 2013 with my business consultant, and it’s pretty clear that unless I stay more or less on track with it, there will be a rather significant snowball effect of Other Things Not Working, which will have a negative ripple effect throughout the entire year.

Of course, we built some wiggle room and flexibility into the schedule, but knowing that if I don’t meet my “ship date” for my ebook project, I’m only going to create stress and discomfort for myself. It’s highly motivating to keep me on track. (See also #2, taking care of your tomorrow self, below.)

Similarly, even if you don’t have an editor, agent, producer, audience, or manager (yet) clamoring for your latest project, you can find deadlines for it to help you stay inspired all the way to completion, like signing up for a contest and aiming to get your project submitted by their deadline.

In my case, I know I’m attending a series of meetings with producers in Hollywood this summer, so I have a deadline for finishing my script naturally built into my 2013 plan.

We can call these “self-created” deadlines, because we choose them ourselves — we make them extrinsic deadlines to help us stay motivated internally.

2. Take care of your tomorrow self too.

I have learned — finally, it’s been hard — to take care of my “tomorrow self” as well as my “today self.” When you’re tempted to slack off on your deadline, take the long view, and have compassion for the future self who’s about to bear the brunt of today’s workload.

When I’m only looking at things from the vantage point of my today self, even though I’d love to THINK that since there’s no big deadline looming on the immediate horizon, I can take the day to get caught up on small tasks and admin, when I remember to think of my tomorrow self, I know SHE’LL be the one to pay the price for that kind of thinking.

Pacing myself is good for all the versions of me — it keeps me happy now, today, tomorrow, and beyond.

3. If you can’t find a reason for the deadline, invent one.

Alternatively, if you can’t find any more natural means of making a deadline motivating, create one. My favorite tool here is something we call “social accountability,” and it has to do with promising at least one other human being that you’ll be delivering said project on a specific date, ideally at a specific time.

For instance, you can exchange projects for feedback or notes with a fellow writer on a certain date, or invest in a coaching relationship where your mentor is waiting to review your work with you. I like to schedule appointments with my mentor in advance of having my next 15 pages written — it’s terrifically motivating to get me to complete them.

An accountability party is another powerful way to create a motivating deadline. I picked up this idea from Barbara Sher’s books. The idea is to host a party — you pick the deadline — where you’ll be celebrating the completion of your project with your friends and family.

4. If you don’t have a deadline, focus on taking consistent action.

One of the interesting aspects of my community is that it can help you stay motivated and taking action even when you don’t have a deadline. Writing projects are long-term commitments, and staying motivated by them can be tricky. But if you focus on taking small, consistent, daily action, as we recommend to our members, you WILL eventually reach the end of your project. You actually DON’T HAVE TO HAVE a deadline to get yourself into action.

Personally, I like to use all the methods I’ve described here in combination. I set myself up for the regular daily action, combined with self-selected externally motivated deadlines and invented interim deadlines. The way I figure it is this: The more the better. I use every trick in the book to keep myself going. And it works.

5. Reverse engineer your project and get super specific about the details.

Once you’ve gotten clear on your deadline, start dividing up your project into manageable chunks, whether it’s chapters, word counts, or time periods. You will likely be able to identify a natural increment you can work with. Then map that out over the time period you have allotted for your project.

For instance, with my ebook project, I have three ebooks that I’m aiming to write approximately 15,000 words for each, for a total of 45,000 words. This means that I can look at the time frame I have, divide it up into reasonable increments, let’s say 1125 words per day, 5 days per week, for 8 weeks. (And also, by telling you about it, I’m creating social accountability for myself. See what I did there?)

What’s motivating about this is seeing exactly what it will take to make my goal. That’s a fair bit of work, right? And if I don’t pace myself, I’ll end up paying for it in a big binge and burnout. Not fun, not pretty. And certainly motivating to avoid, albeit in a somewhat “I don’t want that” kind of way.

6. Set up time to actually fulfill the project.

Once you’ve reverse-engineered your project, then create time in your calendar for fulfillment. You can’t “ship” the thing until you’ve created it, right? So get out your calendar and carve out time, ideally first BEFORE you do all other stuff that normally eats up your day — I know you know what I’m talking about, but just in case: email, Facebook, Twitter, games, futzing around, etc — and be realistic about what you can actually accomplish.

I can write 1000 to 2000 words in an hour, depending on the topic, so I know I’ll want to have at least 5 hours per week carved out to meet my 1125 word deadline, working at a fairly brisk pace. Keeping in mind the big picture helps me get serious about keeping my head down and getting to work when that window of time rolls around on my calendar.

7. Do the work.

Once you’ve got the time on your calendar, be prepared for the resistance to show up. It’ll come in all forms — your mom calling just when you’re supposed to start writing, or an “urgent” email popping into your inbox, or the dirty dishes in the sink suddenly becoming alluring. Recognize that long-term projects, even with highly motivating deadlines, are darn difficult beasts to face. There’s always something more we’d rather be doing.

Something that helps me tremendously with this is my writing community. We write in group writing sprints, where we come online and write collectively for an hour together. I’ve learned to schedule my project writing time with the group sprints, so not only do I have it on my calendar, I also have accountability to actually show up and do the work.

It’s so motivating and helps keep me focused when I would otherwise be tempted to postpone my writing sessions.

Yep, even me.

So be ready, with every trick at your disposal, to fend off the voices that tell you that other things are more important. They’re not. Remind yourself of your big picture deadline, why you’ve designed it that way, and do the work.

Warmly,

 Jenna

 

 

 

 

Jenna Avery
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