10 tips to get unstuck and write more now

10 tips to get unstuck and write more now

Note: This is a continuation of last week’s blog post: What to do when you want to write but you’re not writing: 6 steps to get back on track. If you want to receive my special Writer’s Series of articles in your inbox, make sure you sign up for my Free Writing Tips series (see the graphic in the sidebar).

Writing regularly is easier than it looks. Like I said recently, discipline isn’t all it’s cracked up to be. My personal goal is to make NOT writing a whole lot harder than it is to write. It’s working! So far I’ve finished a feature length script, 3 shorts, a short story, and countless articles and blog posts. You can do it too.

Here are 10 tips for getting unstuck and making writing regularly a whole lot easier:

Tip #1: Brainstorm.

If you’re good and truly stuck on a specific part of your project, first try brainstorming. It’ll let your mind relax and give you a chance to “try on” ideas rather than feeling like you have to come up with the “right” one.

Then, if you’re staying stuck, check to see if you need more information — research, a class, training, a mentor, etc. It’s OKAY to get help. Really!

Tip #2: Be in community.

Writing can be a dismally lonely business at times. Sure, when you’re on fire and things are rolling, you’re fine. But what about when you hit the skids and you feel that desperate sense of isolation or feel like you’re the only one facing the fear and self-doubt? Every single writer in my sphere talks about the same challenges and issues. It’s heartening to know you are not alone.

Tip #3: Never look at a blank page.

If a blank page feels overwhelming to you, don’t use one. Start with questions, a structure, an outline, anything.

When I start a script I first outline the major story beats by numbering and listing them on the page, then I break them down into smaller beats. By the time I paste that into my screenwriting software, I’ve got a pretty good idea of where I’m headed. And I never stare at an empty page wondering what to put onto it.

Tip #4: Keep the “parts” on the table for as long as possible.

Perfectionists that we are, we are often too quick to make creative decisions and rule ideas out — often before we’ve really explored them. Give your ideas their due, and “keep the parts on the table,” as Accidental Genius author Todd Henry says, “for as long as possible.” This means that you don’t throw ANYTHING out too soon.

Tip #5: Give yourself permission to write crap.

Ernest Hemingway said, “The first draft of anything is shit.” Why would you EVER hold yourself to a higher standard than him?

I’ve been seeing a guy practicing his clarinet in a car in the parking lot lately. I love that he is doing whatever he has to do to give himself permission to be bad at something while he finds his footing.

You deserve that too.

Tip #6: Ratchet back the over-achieving.

Yes, I know it’ll take a long time to write a book in 15 minute increments (though it CAN be done — I wrote 25 pages of a script that way and Terri Fedonczak — below — finished the first draft of her parenting book that way).

I know you think  you need to write for at least (1 hour, 4 hours, 8 hours) a day. Trust me when I tell you that when you’re getting back on the writing horse, that’s the surest way to shoot yourself in the foot. You can write more once you’ve got the habit firmly in place.

Start small, and start now.

Tip #7: Keep your head down.

Stop thinking of the bigger project. Keep your head down and just take it one step at a time.

As you repeat these steps, you can work up to more writing as it feels appropriate. When I started writing my last script, all I could bring myself to do was 15 minutes per day. Now I’m writing more. You’ll work up to it. Just take it one word at a time for now.

Tip #8: Deal with the fear.

Underneath resistance to writing is fear. It’s okay. Of course it’s scary. Fear is common when we face things like failure, success, the unknown, and putting our abilities to the test. You can get help with it or work with it on your own, but at the end of the day, your biggest job is getting out of your own way.

Tip #9: Avoid burnout.

It’s much more important that you write regularly and consistently in small, short bursts than it is to write in long blocks of time. Give yourself a break and pace yourself. Being a serious writer means being in it for the long haul.

Tip #10: Write early in the morning.

All those writers who have been getting up at the crack of dawn have got it wired. Writing early, before your rational brain fully kicks in and wants to do all those “important things” that keep you from writing, is so much easier than trying to wrangle it into your day later on. I’m not even a morning person and I love it.

If someone offered you 10 million dollars with only one small catch, would you take it?

The other day I had an email from a friend about me screenwriting at 6 a.m. every morning. She said, “I admire your discipline. It must come from a deep passion.”

I thought, “Is this passion? Is this discipline? Is that what this is? That doesn’t quite feel right.”

Perhaps this is because I’ve struggled for so long to be clear about what I’m passionate about that the word “passion” has lost meaning for me.

Then, last week I found myself saying to my writing community participants how you would have to fight me off with a sword to keep me from writing.

And I thought, “Huh! Passion.”

But the clincher was when I saw Jeanne Bowerman‘s tweet:

I knew my own answer was “No. Way.”

Then I got it. This is beyond reason, it’s beyond passion. It’s a kind of fierceness I never expected.

What shocks me is that this fierceness has been born out of the discipline of writing on a daily basis, not the other way around. And I hesitate to even call it discipline, because there are days when I have to drag myself out of bed with bribes and threats alike. The funny thing is that it’s gotten more scary NOT to write than TO write. 

I didn’t know I would love writing like this. I had no idea until I started doing it regularly. Daily. At ungodly hours.

I’m also fascinated to have discovered that taking a day off or two DOES dwindle this feeling. I find myself drifting and uninspired when I stop.

But as long as I write every day or darn close to it, I’m good.

And I’m doing this by making it a LOT harder NOT to write than it is TO write:

  • I set my clock early. If I don’t get up and write immediately, I’ll miss my chance before my husband goes to work and I’ve got kid duty.
  • I set public goals with my writing community EVERY DAY. And they notice if I don’t show up.
  • I have assignments due every day for my ProSeries screenwriting class. And they’re counting to make sure we’re doing the assignments.
  • I’m the coach for the writing community too, so I have a responsibility as a role model too.

I’ve got multiple layers of accountability. Plus a healthy fear that if I stop writing, it’ll be hard to get started again. And a fierce belief that I’ve found my true calling.

 

The Dreaded ‘D’-Word

Lately I've been talking a lot with my very right-brained, creative, multi-passionate, multi-talented clients and cohorts about the "D"-word.

Yeah, that's right.

Discipline.

It's enough to make an artist cower in terror behind legions of excuses and doubts or pipe up with even a little disdain.

(I'm an artist, I like to go with the flow / wait for the right mood to strike / follow the energy / be divinely inspired.)

(Not that there's really anything wrong with that. As an intuitive, an empath, and an Enneagram Four, I can relate to ALL of that, and I don't even think it's "wrong" per se.)

But the thing is, when it comes to getting our creative work out into the world, we often go to sleep on ourselves instead of doing the work to make it happen.

We go to sleep on those deeper-yet-oh-so-slippery truths that tell us what we need to do our best work.

We forget.

We get busy with other things.

We wait for something that never comes.

Is Discipline Really the Enemy?

It never ceases to astonish me how little actual discipline is practiced when it comes to doing the hard work of creating our stuff.

And by hard, I don't mean Hard. I mean HARD.

The kind of hard that keeps you massively resisting showing up to your writing or your canvas or your practice development, even when you don't even realize it (we'll save the other D-word conversation for another day).

You think you're too busy, you need to make more money first, or your kids need too much of your attention.

Ha!

The truth is, you need to make a commitment to get your Butt In Your Seat and show up to the creative Big Dream you know you are here to fulfill.

There is simply No Other Way it is going to happen.

One thing we do know is that the artists who take regular action to see their work through to completion are the ones who quietly make it happen.

Here's the funny thing about all of this.

You don't need to force yourself to make big, giant, rigid commitments of time and energy to make your work happen.

It's much simpler than that.

Make discipline your friend and ally.

Just commit to taking regular, consistent, and small steps and you'll move forward in a sustainable way to seeing your dream become a reality.

Inspiration From Seth Godin:

“While you and I have been busy running down dead ends and wasting our effort, scientists have been busy trying to figure out what actually works. And they know how:

  •     Small steps work.
  •     Consistent effort works.
  •     Group support works.

That’s it. Three things. Set a goal, and in small, consistent steps, work to reach it. Get support from your peers when you start flagging. Repeat.

You will change.” 

Jenna Avery
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